Could WMUK do a little research on this please?
If this feedback on my correspondence with the Imperial War Museum was received from the IWM during meetings with employees of the charity in January 2013, this happened when I was a trustee on the board. I do not recall feedback like this getting shared with the board from the CEO, nor was I personally approached or informed separate from the board. It's the sort of thing I doubt I would forget, though I do recall being critical during a board meeting about any potential WMUK project or partnership with the IWM at that time, unless their use of misleading claims of copyright on public domain media changed first.
As there were discussions about me, I would appreciate the notes held by WMUK from these meetings about a potential WMUK project being shared with me, even at this late stage. It seems fair that the WMUK CEO check the facts being made public on this list, and whether this feedback was shared with the board of trustees at the time.
This is not a reply to Richard Symonds, for reasons known to the WMUK board and CEO.
Thanks, Fae
On 28 July 2017 at 20:32, Richard Symonds chasemewiki@gmail.com wrote:
First: I know me and you haven't got on very well in the past Fae, so I want to underline that this email is meant in the friendliest way possible. I really appreciate the work you do on Commons, and am deeply struck by the passion with which you approach our shared goal. We're both on the same team
- working for free knowledge.
That said, there's a bit of criticism - constructive, I hope. I'm not sure if further emails like the ones at https://commons.wikimedia.org/wiki/User:F%C3%A6/email/IWM would be very helpful - they didn't work at the time, and clearly haven't worked in the past four years, despite your tweeting. The issue the IWM had in that case was that they didn't agree with you that it was copyfraud. The solution would be a sit-down talk between professionals, that is as you say, "invest some resources into changing their minds".
I remember trying this with the IWM in 2013 - at the time, I was talking to the institution about the WW1 centenary, which they were the driving force behind. They were happy to talk, and extremely friendly, and we had several meetings with them. However, they had issues with the emails that you were sending to them, which they saw as rude, passive-aggressive, and generally unhelpful. The institution didn't see them as polite correspondence, and it made them reticent to work with Wikipedia because they didn't feel like they could be a part of a community that spoke to people like that. I know that to you the emails were professional and to the point, and objectively correct. But to them it came across as unprofessional, and that it happened during the run-up to the WWI centenary made it very difficult for Wikipedia to get involved in the commemorations in any more than a passive capacity. You redoubled your efforts after you saw the IWM refusing to change, but sometimes, our passion for change - for righting the wrongs in the world - makes us seem like fanatics to middle-managers in cultural institutions. This pushed them away, and made it harder for them to understand our point of view.
The solution here is, as you say, friendly and professional discussions - social media campaigns about it, as well as using words like "copyfraud" (which invoke thoughts of criminality in the minds of the reader), are counterproductive. We need to be professional and approachable, engendering change through example, and although social media campaigns and shaming work sometimes (and are legitimate ways of forcing change on an old institution), we have to be careful not to go to it as a first option, especially when our strength in WMUK is our professional connections throughout the third sector and "GLAM" world.
On 28 July 2017 at 18:16, Fæ faewik@gmail.com wrote:
On 28 July 2017 at 17:18, John Byrne john@bodkinprints.co.uk wrote:
The BM still in effect operates a "don't ask, don't tell" policy on photography - see
[http://www.britishmuseum.org/pdf/2011-11-14%20Visitor%20Regulations%20FINAL.... section 8.1] here: "8.1 Except where indicated by notices, you are permitted to use hand-held cameras (including mobile phones) with flash bulbs or flash units, and audio and film recording equipment not requiring a stand. You may use your photographs, film and audio recordings only for your own private and non-commercial purposes." The same goes for the images on their website.
But as I think Fae knows, they have in the past kindly facilitated back-stage photography of objects by Wikipedians, knowing the images will be uploaded to Commons. Matthew Cock, our former main contact left some years ago. Most "policy" matters are hard to change at the BM because of the size of the organization. Everything "would have to go to the Trustees" - an appalling vista for middle management.
No doubt the THM is trying to enforce these standard terms, reflected in the loan agreement, more strictly than the BM itself does. I'm not sure there's much point in going to or after them.
One day their main policy will improve, but they are not easy to pressure - in practice things work ok as it is, normally.
John
Thanks John, I recall us having meetings with BM folks. It was illuminating hearing how things work from the inside. Within my personal network I have some insight into the BM specifically, and other large academic related institutions. In general we get a positive response from curators and researchers who may plan an exhibition, in fact their issues with our open projects are spot on and match our own concerns. But this is a very separate world from the operations and marketing middle management who make the final decisions on loan policies and public exhibition standards.
From the perspective of open knowledge advocates, after meetings and presentations I have had curators shake my hand and thank me for saying things they cannot. One of the great benefits of having unpaid volunteers like us knocking around with no "professional" affiliation with the institutions that may manage the content we are passionate about, is that we can say obvious things, without worrying too much about diplomacy or PR.
Despite being criticised for making waves every now and then, it's those personal thanks for doing what I do that will encourage me to call unambiguous copyfraud, copyfraud, whenever I see it.
If anyone wants to see my previous efforts trying politely talking to IP lawyers representing an institution that simply does not get it, they can take a look at my correspondence with the Imperial War Museum.[1] It's four years since I very politely and clearly gave them the facts about their continued copyfraud, and they have not lifted a finger to correct it. I guess they are too big to care about my tweets that continue to point out this problem,[2] however it would be great if WMUK wanted to invest some resources into changing their minds; in line with our shared vision of open knowledge and free access to public content.
Links
- https://commons.wikimedia.org/wiki/User:Fae/email/IWM IWM emails.
- https://twitter.com/Faewik/status/890954001990201346 example tweet
on copyfraud from earlier today.
Cheers, Fae -- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
-- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
This is hilarious. As someone who was around at the time, all I can do is shake my head and laugh at the inevitability of this kind of conversation.
WMUK would be ill-advised to allow a partnership of this importance to be frittered away in this manner.
Que sera, sera. I write with no hat on other than someone who cares deeply about open knowledge and also the chapter (well, my sun hat, but that denotes no role other than someone daft enough to wear it indoors, in the rain).
I think that those who were around at the time are more than aware of the circumstances Richard refers to, and many others besides.
On 28 Jul 2017 21:01, "Fæ" faewik@gmail.com wrote:
Could WMUK do a little research on this please?
If this feedback on my correspondence with the Imperial War Museum was received from the IWM during meetings with employees of the charity in January 2013, this happened when I was a trustee on the board. I do not recall feedback like this getting shared with the board from the CEO, nor was I personally approached or informed separate from the board. It's the sort of thing I doubt I would forget, though I do recall being critical during a board meeting about any potential WMUK project or partnership with the IWM at that time, unless their use of misleading claims of copyright on public domain media changed first.
As there were discussions about me, I would appreciate the notes held by WMUK from these meetings about a potential WMUK project being shared with me, even at this late stage. It seems fair that the WMUK CEO check the facts being made public on this list, and whether this feedback was shared with the board of trustees at the time.
This is not a reply to Richard Symonds, for reasons known to the WMUK board and CEO.
Thanks, Fae
On 28 July 2017 at 20:32, Richard Symonds chasemewiki@gmail.com wrote:
First: I know me and you haven't got on very well in the past Fae, so I
want
to underline that this email is meant in the friendliest way possible. I really appreciate the work you do on Commons, and am deeply struck by the passion with which you approach our shared goal. We're both on the same
team
- working for free knowledge.
That said, there's a bit of criticism - constructive, I hope. I'm not
sure
if further emails like the ones at https://commons.wikimedia.org/wiki/User:F%C3%A6/email/IWM would be very helpful - they didn't work at the time, and clearly haven't worked in the past four years, despite your tweeting. The issue the IWM had in that
case
was that they didn't agree with you that it was copyfraud. The solution would be a sit-down talk between professionals, that is as you say,
"invest
some resources into changing their minds".
I remember trying this with the IWM in 2013 - at the time, I was talking
to
the institution about the WW1 centenary, which they were the driving
force
behind. They were happy to talk, and extremely friendly, and we had
several
meetings with them. However, they had issues with the emails that you
were
sending to them, which they saw as rude, passive-aggressive, and
generally
unhelpful. The institution didn't see them as polite correspondence, and
it
made them reticent to work with Wikipedia because they didn't feel like
they
could be a part of a community that spoke to people like that. I know
that
to you the emails were professional and to the point, and objectively correct. But to them it came across as unprofessional, and that it
happened
during the run-up to the WWI centenary made it very difficult for
Wikipedia
to get involved in the commemorations in any more than a passive
capacity.
You redoubled your efforts after you saw the IWM refusing to change, but sometimes, our passion for change - for righting the wrongs in the world
makes us seem like fanatics to middle-managers in cultural institutions. This pushed them away, and made it harder for them to understand our
point
of view.
The solution here is, as you say, friendly and professional discussions - social media campaigns about it, as well as using words like "copyfraud" (which invoke thoughts of criminality in the minds of the reader), are counterproductive. We need to be professional and approachable,
engendering
change through example, and although social media campaigns and shaming
work
sometimes (and are legitimate ways of forcing change on an old
institution),
we have to be careful not to go to it as a first option, especially when
our
strength in WMUK is our professional connections throughout the third
sector
and "GLAM" world.
On 28 July 2017 at 18:16, Fæ faewik@gmail.com wrote:
On 28 July 2017 at 17:18, John Byrne john@bodkinprints.co.uk wrote:
The BM still in effect operates a "don't ask, don't tell" policy on photography - see
20Regulations%20FINAL.pdf
section 8.1] here: "8.1 Except where indicated by notices, you are permitted to use hand-held cameras (including mobile phones) with flash bulbs or flash units, and audio and film recording equipment not requiring a stand.
You
may use your photographs, film and audio recordings only for your own private and non-commercial purposes." The same goes for the images on their website.
But as I think Fae knows, they have in the past kindly facilitated back-stage photography of objects by Wikipedians, knowing the images will be uploaded to Commons. Matthew Cock, our former main contact left some years ago. Most "policy" matters are hard to change at the BM because of the size of the organization. Everything "would have to go to the Trustees" -
an
appalling vista for middle management.
No doubt the THM is trying to enforce these standard terms, reflected
in
the loan agreement, more strictly than the BM itself does. I'm not sure there's much point in going to or after them.
One day their main policy will improve, but they are not easy to pressure - in practice things work ok as it is, normally.
John
Thanks John, I recall us having meetings with BM folks. It was illuminating hearing how things work from the inside. Within my personal network I have some insight into the BM specifically, and other large academic related institutions. In general we get a positive response from curators and researchers who may plan an exhibition, in fact their issues with our open projects are spot on and match our own concerns. But this is a very separate world from the operations and marketing middle management who make the final decisions on loan policies and public exhibition standards.
From the perspective of open knowledge advocates, after meetings and presentations I have had curators shake my hand and thank me for saying things they cannot. One of the great benefits of having unpaid volunteers like us knocking around with no "professional" affiliation with the institutions that may manage the content we are passionate about, is that we can say obvious things, without worrying too much about diplomacy or PR.
Despite being criticised for making waves every now and then, it's those personal thanks for doing what I do that will encourage me to call unambiguous copyfraud, copyfraud, whenever I see it.
If anyone wants to see my previous efforts trying politely talking to IP lawyers representing an institution that simply does not get it, they can take a look at my correspondence with the Imperial War Museum.[1] It's four years since I very politely and clearly gave them the facts about their continued copyfraud, and they have not lifted a finger to correct it. I guess they are too big to care about my tweets that continue to point out this problem,[2] however it would be great if WMUK wanted to invest some resources into changing their minds; in line with our shared vision of open knowledge and free access to public content.
Links
- https://commons.wikimedia.org/wiki/User:Fae/email/IWM IWM emails.
- https://twitter.com/Faewik/status/890954001990201346 example tweet
on copyfraud from earlier today.
Cheers, Fae -- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
-- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Oh god really Fae?
The Board finally agreed to accept your membership application, no doubt persuaded water had passed under the bridge, and bygones were now bygones.
Then within weeks you are forwarding private correspondence to this list and "demanding answers" about things that happened in 2013.
You already know the answers.
On Fri, Jul 28, 2017 at 9:18 PM, Stevie Benton stevie.d.benton@gmail.com wrote:
This is hilarious. As someone who was around at the time, all I can do is shake my head and laugh at the inevitability of this kind of conversation.
WMUK would be ill-advised to allow a partnership of this importance to be frittered away in this manner.
Que sera, sera. I write with no hat on other than someone who cares deeply about open knowledge and also the chapter (well, my sun hat, but that denotes no role other than someone daft enough to wear it indoors, in the rain).
I think that those who were around at the time are more than aware of the circumstances Richard refers to, and many others besides.
On 28 Jul 2017 21:01, "Fæ" faewik@gmail.com wrote:
Could WMUK do a little research on this please?
If this feedback on my correspondence with the Imperial War Museum was received from the IWM during meetings with employees of the charity in January 2013, this happened when I was a trustee on the board. I do not recall feedback like this getting shared with the board from the CEO, nor was I personally approached or informed separate from the board. It's the sort of thing I doubt I would forget, though I do recall being critical during a board meeting about any potential WMUK project or partnership with the IWM at that time, unless their use of misleading claims of copyright on public domain media changed first.
As there were discussions about me, I would appreciate the notes held by WMUK from these meetings about a potential WMUK project being shared with me, even at this late stage. It seems fair that the WMUK CEO check the facts being made public on this list, and whether this feedback was shared with the board of trustees at the time.
This is not a reply to Richard Symonds, for reasons known to the WMUK board and CEO.
Thanks, Fae
On 28 July 2017 at 20:32, Richard Symonds chasemewiki@gmail.com wrote:
First: I know me and you haven't got on very well in the past Fae, so I want to underline that this email is meant in the friendliest way possible. I really appreciate the work you do on Commons, and am deeply struck by the passion with which you approach our shared goal. We're both on the same team
- working for free knowledge.
That said, there's a bit of criticism - constructive, I hope. I'm not sure if further emails like the ones at https://commons.wikimedia.org/wiki/User:F%C3%A6/email/IWM would be very helpful - they didn't work at the time, and clearly haven't worked in the past four years, despite your tweeting. The issue the IWM had in that case was that they didn't agree with you that it was copyfraud. The solution would be a sit-down talk between professionals, that is as you say, "invest some resources into changing their minds".
I remember trying this with the IWM in 2013 - at the time, I was talking to the institution about the WW1 centenary, which they were the driving force behind. They were happy to talk, and extremely friendly, and we had several meetings with them. However, they had issues with the emails that you were sending to them, which they saw as rude, passive-aggressive, and generally unhelpful. The institution didn't see them as polite correspondence, and it made them reticent to work with Wikipedia because they didn't feel like they could be a part of a community that spoke to people like that. I know that to you the emails were professional and to the point, and objectively correct. But to them it came across as unprofessional, and that it happened during the run-up to the WWI centenary made it very difficult for Wikipedia to get involved in the commemorations in any more than a passive capacity. You redoubled your efforts after you saw the IWM refusing to change, but sometimes, our passion for change - for righting the wrongs in the world
makes us seem like fanatics to middle-managers in cultural institutions. This pushed them away, and made it harder for them to understand our point of view.
The solution here is, as you say, friendly and professional discussions
social media campaigns about it, as well as using words like "copyfraud" (which invoke thoughts of criminality in the minds of the reader), are counterproductive. We need to be professional and approachable, engendering change through example, and although social media campaigns and shaming work sometimes (and are legitimate ways of forcing change on an old institution), we have to be careful not to go to it as a first option, especially when our strength in WMUK is our professional connections throughout the third sector and "GLAM" world.
On 28 July 2017 at 18:16, Fæ faewik@gmail.com wrote:
On 28 July 2017 at 17:18, John Byrne john@bodkinprints.co.uk wrote:
The BM still in effect operates a "don't ask, don't tell" policy on photography - see
[http://www.britishmuseum.org/pdf/2011-11-14%20Visitor%20Regulations%20FINAL.... section 8.1] here: "8.1 Except where indicated by notices, you are permitted to use hand-held cameras (including mobile phones) with flash bulbs or flash units, and audio and film recording equipment not requiring a stand. You may use your photographs, film and audio recordings only for your own private and non-commercial purposes." The same goes for the images on their website.
But as I think Fae knows, they have in the past kindly facilitated back-stage photography of objects by Wikipedians, knowing the images will be uploaded to Commons. Matthew Cock, our former main contact left some years ago. Most "policy" matters are hard to change at the BM because of the size of the organization. Everything "would have to go to the Trustees" - an appalling vista for middle management.
No doubt the THM is trying to enforce these standard terms, reflected in the loan agreement, more strictly than the BM itself does. I'm not sure there's much point in going to or after them.
One day their main policy will improve, but they are not easy to pressure - in practice things work ok as it is, normally.
John
Thanks John, I recall us having meetings with BM folks. It was illuminating hearing how things work from the inside. Within my personal network I have some insight into the BM specifically, and other large academic related institutions. In general we get a positive response from curators and researchers who may plan an exhibition, in fact their issues with our open projects are spot on and match our own concerns. But this is a very separate world from the operations and marketing middle management who make the final decisions on loan policies and public exhibition standards.
From the perspective of open knowledge advocates, after meetings and presentations I have had curators shake my hand and thank me for saying things they cannot. One of the great benefits of having unpaid volunteers like us knocking around with no "professional" affiliation with the institutions that may manage the content we are passionate about, is that we can say obvious things, without worrying too much about diplomacy or PR.
Despite being criticised for making waves every now and then, it's those personal thanks for doing what I do that will encourage me to call unambiguous copyfraud, copyfraud, whenever I see it.
If anyone wants to see my previous efforts trying politely talking to IP lawyers representing an institution that simply does not get it, they can take a look at my correspondence with the Imperial War Museum.[1] It's four years since I very politely and clearly gave them the facts about their continued copyfraud, and they have not lifted a finger to correct it. I guess they are too big to care about my tweets that continue to point out this problem,[2] however it would be great if WMUK wanted to invest some resources into changing their minds; in line with our shared vision of open knowledge and free access to public content.
Links
- https://commons.wikimedia.org/wiki/User:Fae/email/IWM IWM emails.
- https://twitter.com/Faewik/status/890954001990201346 example tweet
on copyfraud from earlier today.
Cheers, Fae -- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
-- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
apologies, strike the "forwarding private correspondence" bit. My point stands, nonetheless...
On Fri, Jul 28, 2017 at 9:49 PM, Chris Keating chriskeatingwiki@gmail.com wrote:
Oh god really Fae?
The Board finally agreed to accept your membership application, no doubt persuaded water had passed under the bridge, and bygones were now bygones.
Then within weeks you are forwarding private correspondence to this list and "demanding answers" about things that happened in 2013.
You already know the answers.
On Fri, Jul 28, 2017 at 9:18 PM, Stevie Benton stevie.d.benton@gmail.com wrote:
This is hilarious. As someone who was around at the time, all I can do is shake my head and laugh at the inevitability of this kind of conversation.
WMUK would be ill-advised to allow a partnership of this importance to be frittered away in this manner.
Que sera, sera. I write with no hat on other than someone who cares deeply about open knowledge and also the chapter (well, my sun hat, but that denotes no role other than someone daft enough to wear it indoors, in the rain).
I think that those who were around at the time are more than aware of the circumstances Richard refers to, and many others besides.
On 28 Jul 2017 21:01, "Fæ" faewik@gmail.com wrote:
Could WMUK do a little research on this please?
If this feedback on my correspondence with the Imperial War Museum was received from the IWM during meetings with employees of the charity in January 2013, this happened when I was a trustee on the board. I do not recall feedback like this getting shared with the board from the CEO, nor was I personally approached or informed separate from the board. It's the sort of thing I doubt I would forget, though I do recall being critical during a board meeting about any potential WMUK project or partnership with the IWM at that time, unless their use of misleading claims of copyright on public domain media changed first.
As there were discussions about me, I would appreciate the notes held by WMUK from these meetings about a potential WMUK project being shared with me, even at this late stage. It seems fair that the WMUK CEO check the facts being made public on this list, and whether this feedback was shared with the board of trustees at the time.
This is not a reply to Richard Symonds, for reasons known to the WMUK board and CEO.
Thanks, Fae
On 28 July 2017 at 20:32, Richard Symonds chasemewiki@gmail.com wrote:
First: I know me and you haven't got on very well in the past Fae, so I want to underline that this email is meant in the friendliest way possible. I really appreciate the work you do on Commons, and am deeply struck by the passion with which you approach our shared goal. We're both on the same team
- working for free knowledge.
That said, there's a bit of criticism - constructive, I hope. I'm not sure if further emails like the ones at https://commons.wikimedia.org/wiki/User:F%C3%A6/email/IWM would be very helpful - they didn't work at the time, and clearly haven't worked in the past four years, despite your tweeting. The issue the IWM had in that case was that they didn't agree with you that it was copyfraud. The solution would be a sit-down talk between professionals, that is as you say, "invest some resources into changing their minds".
I remember trying this with the IWM in 2013 - at the time, I was talking to the institution about the WW1 centenary, which they were the driving force behind. They were happy to talk, and extremely friendly, and we had several meetings with them. However, they had issues with the emails that you were sending to them, which they saw as rude, passive-aggressive, and generally unhelpful. The institution didn't see them as polite correspondence, and it made them reticent to work with Wikipedia because they didn't feel like they could be a part of a community that spoke to people like that. I know that to you the emails were professional and to the point, and objectively correct. But to them it came across as unprofessional, and that it happened during the run-up to the WWI centenary made it very difficult for Wikipedia to get involved in the commemorations in any more than a passive capacity. You redoubled your efforts after you saw the IWM refusing to change, but sometimes, our passion for change - for righting the wrongs in the world
makes us seem like fanatics to middle-managers in cultural institutions. This pushed them away, and made it harder for them to understand our point of view.
The solution here is, as you say, friendly and professional discussions
social media campaigns about it, as well as using words like "copyfraud" (which invoke thoughts of criminality in the minds of the reader), are counterproductive. We need to be professional and approachable, engendering change through example, and although social media campaigns and shaming work sometimes (and are legitimate ways of forcing change on an old institution), we have to be careful not to go to it as a first option, especially when our strength in WMUK is our professional connections throughout the third sector and "GLAM" world.
On 28 July 2017 at 18:16, Fæ faewik@gmail.com wrote:
On 28 July 2017 at 17:18, John Byrne john@bodkinprints.co.uk wrote:
The BM still in effect operates a "don't ask, don't tell" policy on photography - see
[http://www.britishmuseum.org/pdf/2011-11-14%20Visitor%20Regulations%20FINAL.... section 8.1] here: "8.1 Except where indicated by notices, you are permitted to use hand-held cameras (including mobile phones) with flash bulbs or flash units, and audio and film recording equipment not requiring a stand. You may use your photographs, film and audio recordings only for your own private and non-commercial purposes." The same goes for the images on their website.
But as I think Fae knows, they have in the past kindly facilitated back-stage photography of objects by Wikipedians, knowing the images will be uploaded to Commons. Matthew Cock, our former main contact left some years ago. Most "policy" matters are hard to change at the BM because of the size of the organization. Everything "would have to go to the Trustees" - an appalling vista for middle management.
No doubt the THM is trying to enforce these standard terms, reflected in the loan agreement, more strictly than the BM itself does. I'm not sure there's much point in going to or after them.
One day their main policy will improve, but they are not easy to pressure - in practice things work ok as it is, normally.
John
Thanks John, I recall us having meetings with BM folks. It was illuminating hearing how things work from the inside. Within my personal network I have some insight into the BM specifically, and other large academic related institutions. In general we get a positive response from curators and researchers who may plan an exhibition, in fact their issues with our open projects are spot on and match our own concerns. But this is a very separate world from the operations and marketing middle management who make the final decisions on loan policies and public exhibition standards.
From the perspective of open knowledge advocates, after meetings and presentations I have had curators shake my hand and thank me for saying things they cannot. One of the great benefits of having unpaid volunteers like us knocking around with no "professional" affiliation with the institutions that may manage the content we are passionate about, is that we can say obvious things, without worrying too much about diplomacy or PR.
Despite being criticised for making waves every now and then, it's those personal thanks for doing what I do that will encourage me to call unambiguous copyfraud, copyfraud, whenever I see it.
If anyone wants to see my previous efforts trying politely talking to IP lawyers representing an institution that simply does not get it, they can take a look at my correspondence with the Imperial War Museum.[1] It's four years since I very politely and clearly gave them the facts about their continued copyfraud, and they have not lifted a finger to correct it. I guess they are too big to care about my tweets that continue to point out this problem,[2] however it would be great if WMUK wanted to invest some resources into changing their minds; in line with our shared vision of open knowledge and free access to public content.
Links
- https://commons.wikimedia.org/wiki/User:Fae/email/IWM IWM emails.
- https://twitter.com/Faewik/status/890954001990201346 example tweet
on copyfraud from earlier today.
Cheers, Fae -- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
-- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Hi Chris,
I don't see the connection between my membership of the charity and these claims being made publicly now, by a past employee, about critical feedback from the IWM.
No I don't know what was said in those meetings, and it would be a surprise if as a fellow trustee you knew about this feedback and never thought to share it with me or the board.
Thanks for your retraction of your false claim that I have published any private correspondence.
Thanks, Fae
On 28 July 2017 at 21:49, Chris Keating chriskeatingwiki@gmail.com wrote:
Oh god really Fae?
The Board finally agreed to accept your membership application, no doubt persuaded water had passed under the bridge, and bygones were now bygones.
Then within weeks you are forwarding private correspondence to this list and "demanding answers" about things that happened in 2013.
You already know the answers.
On Fri, Jul 28, 2017 at 9:18 PM, Stevie Benton stevie.d.benton@gmail.com wrote:
This is hilarious. As someone who was around at the time, all I can do is shake my head and laugh at the inevitability of this kind of conversation.
WMUK would be ill-advised to allow a partnership of this importance to be frittered away in this manner.
Que sera, sera. I write with no hat on other than someone who cares deeply about open knowledge and also the chapter (well, my sun hat, but that denotes no role other than someone daft enough to wear it indoors, in the rain).
I think that those who were around at the time are more than aware of the circumstances Richard refers to, and many others besides.
On 28 Jul 2017 21:01, "Fæ" faewik@gmail.com wrote:
Could WMUK do a little research on this please?
If this feedback on my correspondence with the Imperial War Museum was received from the IWM during meetings with employees of the charity in January 2013, this happened when I was a trustee on the board. I do not recall feedback like this getting shared with the board from the CEO, nor was I personally approached or informed separate from the board. It's the sort of thing I doubt I would forget, though I do recall being critical during a board meeting about any potential WMUK project or partnership with the IWM at that time, unless their use of misleading claims of copyright on public domain media changed first.
As there were discussions about me, I would appreciate the notes held by WMUK from these meetings about a potential WMUK project being shared with me, even at this late stage. It seems fair that the WMUK CEO check the facts being made public on this list, and whether this feedback was shared with the board of trustees at the time.
This is not a reply to Richard Symonds, for reasons known to the WMUK board and CEO.
Thanks, Fae
On 28 July 2017 at 20:32, Richard Symonds chasemewiki@gmail.com wrote:
First: I know me and you haven't got on very well in the past Fae, so I want to underline that this email is meant in the friendliest way possible. I really appreciate the work you do on Commons, and am deeply struck by the passion with which you approach our shared goal. We're both on the same team
- working for free knowledge.
That said, there's a bit of criticism - constructive, I hope. I'm not sure if further emails like the ones at https://commons.wikimedia.org/wiki/User:F%C3%A6/email/IWM would be very helpful - they didn't work at the time, and clearly haven't worked in the past four years, despite your tweeting. The issue the IWM had in that case was that they didn't agree with you that it was copyfraud. The solution would be a sit-down talk between professionals, that is as you say, "invest some resources into changing their minds".
I remember trying this with the IWM in 2013 - at the time, I was talking to the institution about the WW1 centenary, which they were the driving force behind. They were happy to talk, and extremely friendly, and we had several meetings with them. However, they had issues with the emails that you were sending to them, which they saw as rude, passive-aggressive, and generally unhelpful. The institution didn't see them as polite correspondence, and it made them reticent to work with Wikipedia because they didn't feel like they could be a part of a community that spoke to people like that. I know that to you the emails were professional and to the point, and objectively correct. But to them it came across as unprofessional, and that it happened during the run-up to the WWI centenary made it very difficult for Wikipedia to get involved in the commemorations in any more than a passive capacity. You redoubled your efforts after you saw the IWM refusing to change, but sometimes, our passion for change - for righting the wrongs in the world
makes us seem like fanatics to middle-managers in cultural institutions. This pushed them away, and made it harder for them to understand our point of view.
The solution here is, as you say, friendly and professional discussions
social media campaigns about it, as well as using words like "copyfraud" (which invoke thoughts of criminality in the minds of the reader), are counterproductive. We need to be professional and approachable, engendering change through example, and although social media campaigns and shaming work sometimes (and are legitimate ways of forcing change on an old institution), we have to be careful not to go to it as a first option, especially when our strength in WMUK is our professional connections throughout the third sector and "GLAM" world.
On 28 July 2017 at 18:16, Fæ faewik@gmail.com wrote:
On 28 July 2017 at 17:18, John Byrne john@bodkinprints.co.uk wrote:
The BM still in effect operates a "don't ask, don't tell" policy on photography - see
[http://www.britishmuseum.org/pdf/2011-11-14%20Visitor%20Regulations%20FINAL.... section 8.1] here: "8.1 Except where indicated by notices, you are permitted to use hand-held cameras (including mobile phones) with flash bulbs or flash units, and audio and film recording equipment not requiring a stand. You may use your photographs, film and audio recordings only for your own private and non-commercial purposes." The same goes for the images on their website.
But as I think Fae knows, they have in the past kindly facilitated back-stage photography of objects by Wikipedians, knowing the images will be uploaded to Commons. Matthew Cock, our former main contact left some years ago. Most "policy" matters are hard to change at the BM because of the size of the organization. Everything "would have to go to the Trustees" - an appalling vista for middle management.
No doubt the THM is trying to enforce these standard terms, reflected in the loan agreement, more strictly than the BM itself does. I'm not sure there's much point in going to or after them.
One day their main policy will improve, but they are not easy to pressure - in practice things work ok as it is, normally.
John
Thanks John, I recall us having meetings with BM folks. It was illuminating hearing how things work from the inside. Within my personal network I have some insight into the BM specifically, and other large academic related institutions. In general we get a positive response from curators and researchers who may plan an exhibition, in fact their issues with our open projects are spot on and match our own concerns. But this is a very separate world from the operations and marketing middle management who make the final decisions on loan policies and public exhibition standards.
From the perspective of open knowledge advocates, after meetings and presentations I have had curators shake my hand and thank me for saying things they cannot. One of the great benefits of having unpaid volunteers like us knocking around with no "professional" affiliation with the institutions that may manage the content we are passionate about, is that we can say obvious things, without worrying too much about diplomacy or PR.
Despite being criticised for making waves every now and then, it's those personal thanks for doing what I do that will encourage me to call unambiguous copyfraud, copyfraud, whenever I see it.
If anyone wants to see my previous efforts trying politely talking to IP lawyers representing an institution that simply does not get it, they can take a look at my correspondence with the Imperial War Museum.[1] It's four years since I very politely and clearly gave them the facts about their continued copyfraud, and they have not lifted a finger to correct it. I guess they are too big to care about my tweets that continue to point out this problem,[2] however it would be great if WMUK wanted to invest some resources into changing their minds; in line with our shared vision of open knowledge and free access to public content.
Links
- https://commons.wikimedia.org/wiki/User:Fae/email/IWM IWM emails.
- https://twitter.com/Faewik/status/890954001990201346 example tweet
on copyfraud from earlier today.
Cheers, Fae -- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
-- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
You might refer to, inter alia, my email to you of 8.39pm on 21 May 2013.
Regards,
Chris
On Fri, Jul 28, 2017 at 9:56 PM, Fæ faewik@gmail.com wrote:
Hi Chris,
I don't see the connection between my membership of the charity and these claims being made publicly now, by a past employee, about critical feedback from the IWM.
No I don't know what was said in those meetings, and it would be a surprise if as a fellow trustee you knew about this feedback and never thought to share it with me or the board.
Thanks for your retraction of your false claim that I have published any private correspondence.
Thanks, Fae
On 28 July 2017 at 21:49, Chris Keating chriskeatingwiki@gmail.com wrote:
Oh god really Fae?
The Board finally agreed to accept your membership application, no doubt persuaded water had passed under the bridge, and bygones were now bygones.
Then within weeks you are forwarding private correspondence to this list and "demanding answers" about things that happened in 2013.
You already know the answers.
On Fri, Jul 28, 2017 at 9:18 PM, Stevie Benton stevie.d.benton@gmail.com wrote:
This is hilarious. As someone who was around at the time, all I can do is shake my head and laugh at the inevitability of this kind of conversation.
WMUK would be ill-advised to allow a partnership of this importance to be frittered away in this manner.
Que sera, sera. I write with no hat on other than someone who cares deeply about open knowledge and also the chapter (well, my sun hat, but that denotes no role other than someone daft enough to wear it indoors, in the rain).
I think that those who were around at the time are more than aware of the circumstances Richard refers to, and many others besides.
On 28 Jul 2017 21:01, "Fæ" faewik@gmail.com wrote:
Could WMUK do a little research on this please?
If this feedback on my correspondence with the Imperial War Museum was received from the IWM during meetings with employees of the charity in January 2013, this happened when I was a trustee on the board. I do not recall feedback like this getting shared with the board from the CEO, nor was I personally approached or informed separate from the board. It's the sort of thing I doubt I would forget, though I do recall being critical during a board meeting about any potential WMUK project or partnership with the IWM at that time, unless their use of misleading claims of copyright on public domain media changed first.
As there were discussions about me, I would appreciate the notes held by WMUK from these meetings about a potential WMUK project being shared with me, even at this late stage. It seems fair that the WMUK CEO check the facts being made public on this list, and whether this feedback was shared with the board of trustees at the time.
This is not a reply to Richard Symonds, for reasons known to the WMUK board and CEO.
Thanks, Fae
On 28 July 2017 at 20:32, Richard Symonds chasemewiki@gmail.com wrote:
First: I know me and you haven't got on very well in the past Fae, so I want to underline that this email is meant in the friendliest way possible. I really appreciate the work you do on Commons, and am deeply struck by the passion with which you approach our shared goal. We're both on the same team
- working for free knowledge.
That said, there's a bit of criticism - constructive, I hope. I'm not sure if further emails like the ones at https://commons.wikimedia.org/wiki/User:F%C3%A6/email/IWM would be very helpful - they didn't work at the time, and clearly haven't worked in the past four years, despite your tweeting. The issue the IWM had in that case was that they didn't agree with you that it was copyfraud. The solution would be a sit-down talk between professionals, that is as you say, "invest some resources into changing their minds".
I remember trying this with the IWM in 2013 - at the time, I was talking to the institution about the WW1 centenary, which they were the driving force behind. They were happy to talk, and extremely friendly, and we had several meetings with them. However, they had issues with the emails that you were sending to them, which they saw as rude, passive-aggressive, and generally unhelpful. The institution didn't see them as polite correspondence, and it made them reticent to work with Wikipedia because they didn't feel like they could be a part of a community that spoke to people like that. I know that to you the emails were professional and to the point, and objectively correct. But to them it came across as unprofessional, and that it happened during the run-up to the WWI centenary made it very difficult for Wikipedia to get involved in the commemorations in any more than a passive capacity. You redoubled your efforts after you saw the IWM refusing to change, but sometimes, our passion for change - for righting the wrongs in the world
makes us seem like fanatics to middle-managers in cultural institutions. This pushed them away, and made it harder for them to understand our point of view.
The solution here is, as you say, friendly and professional discussions
social media campaigns about it, as well as using words like "copyfraud" (which invoke thoughts of criminality in the minds of the reader), are counterproductive. We need to be professional and approachable, engendering change through example, and although social media campaigns and shaming work sometimes (and are legitimate ways of forcing change on an old institution), we have to be careful not to go to it as a first option, especially when our strength in WMUK is our professional connections throughout the third sector and "GLAM" world.
On 28 July 2017 at 18:16, Fæ faewik@gmail.com wrote:
On 28 July 2017 at 17:18, John Byrne john@bodkinprints.co.uk wrote: > The BM still in effect operates a "don't ask, don't tell" policy on > photography - see > > > [http://www.britishmuseum.org/pdf/2011-11-14%20Visitor%20Regulations%20FINAL.... > section 8.1] here: "8.1 Except where indicated by notices, you are > permitted > to use hand-held cameras (including mobile phones) with flash bulbs > or > flash > units, and audio and film recording equipment not requiring a stand. > You > may > use your photographs, film and audio recordings only for your own > private > and non-commercial purposes." The same goes for the images on their > website. > > But as I think Fae knows, they have in the past kindly facilitated > back-stage photography of objects by Wikipedians, knowing the images > will be > uploaded to Commons. Matthew Cock, our former main contact left some > years > ago. Most "policy" matters are hard to change at the BM because of > the > size > of the organization. Everything "would have to go to the Trustees" - > an > appalling vista for middle management. > > No doubt the THM is trying to enforce these standard terms, reflected > in > the > loan agreement, more strictly than the BM itself does. I'm not sure > there's > much point in going to or after them. > > One day their main policy will improve, but they are not easy to > pressure - > in practice things work ok as it is, normally. > > John
Thanks John, I recall us having meetings with BM folks. It was illuminating hearing how things work from the inside. Within my personal network I have some insight into the BM specifically, and other large academic related institutions. In general we get a positive response from curators and researchers who may plan an exhibition, in fact their issues with our open projects are spot on and match our own concerns. But this is a very separate world from the operations and marketing middle management who make the final decisions on loan policies and public exhibition standards.
From the perspective of open knowledge advocates, after meetings and presentations I have had curators shake my hand and thank me for saying things they cannot. One of the great benefits of having unpaid volunteers like us knocking around with no "professional" affiliation with the institutions that may manage the content we are passionate about, is that we can say obvious things, without worrying too much about diplomacy or PR.
Despite being criticised for making waves every now and then, it's those personal thanks for doing what I do that will encourage me to call unambiguous copyfraud, copyfraud, whenever I see it.
If anyone wants to see my previous efforts trying politely talking to IP lawyers representing an institution that simply does not get it, they can take a look at my correspondence with the Imperial War Museum.[1] It's four years since I very politely and clearly gave them the facts about their continued copyfraud, and they have not lifted a finger to correct it. I guess they are too big to care about my tweets that continue to point out this problem,[2] however it would be great if WMUK wanted to invest some resources into changing their minds; in line with our shared vision of open knowledge and free access to public content.
Links
- https://commons.wikimedia.org/wiki/User:Fae/email/IWM IWM emails.
- https://twitter.com/Faewik/status/890954001990201346 example tweet
on copyfraud from earlier today.
Cheers, Fae -- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
-- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
-- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Though if you do happen to dig it out, it would not be appropriate to discuss the contents on a public list.
On 28 Jul 2017 22:08, "Chris Keating" chriskeatingwiki@gmail.com wrote:
You might refer to, inter alia, my email to you of 8.39pm on 21 May 2013.
Regards,
Chris
On Fri, Jul 28, 2017 at 9:56 PM, Fæ faewik@gmail.com wrote:
Hi Chris,
I don't see the connection between my membership of the charity and these claims being made publicly now, by a past employee, about critical feedback from the IWM.
No I don't know what was said in those meetings, and it would be a surprise if as a fellow trustee you knew about this feedback and never thought to share it with me or the board.
Thanks for your retraction of your false claim that I have published any private correspondence.
Thanks, Fae
On 28 July 2017 at 21:49, Chris Keating chriskeatingwiki@gmail.com
wrote:
Oh god really Fae?
The Board finally agreed to accept your membership application, no doubt persuaded water had passed under the bridge, and bygones were now bygones.
Then within weeks you are forwarding private correspondence to this list and "demanding answers" about things that happened in 2013.
You already know the answers.
On Fri, Jul 28, 2017 at 9:18 PM, Stevie Benton stevie.d.benton@gmail.com wrote:
This is hilarious. As someone who was around at the time, all I can do
is
shake my head and laugh at the inevitability of this kind of
conversation.
WMUK would be ill-advised to allow a partnership of this importance to
be
frittered away in this manner.
Que sera, sera. I write with no hat on other than someone who cares
deeply
about open knowledge and also the chapter (well, my sun hat, but that denotes no role other than someone daft enough to wear it indoors, in
the
rain).
I think that those who were around at the time are more than aware of
the
circumstances Richard refers to, and many others besides.
On 28 Jul 2017 21:01, "Fæ" faewik@gmail.com wrote:
Could WMUK do a little research on this please?
If this feedback on my correspondence with the Imperial War Museum was received from the IWM during meetings with employees of the charity in January 2013, this happened when I was a trustee on the board. I do not recall feedback like this getting shared with the board from the CEO, nor was I personally approached or informed separate from the board. It's the sort of thing I doubt I would forget, though I do recall being critical during a board meeting about any potential WMUK project or partnership with the IWM at that time, unless their use of misleading claims of copyright on public domain media changed first.
As there were discussions about me, I would appreciate the notes held by WMUK from these meetings about a potential WMUK project being shared with me, even at this late stage. It seems fair that the WMUK CEO check the facts being made public on this list, and whether this feedback was shared with the board of trustees at the time.
This is not a reply to Richard Symonds, for reasons known to the WMUK board and CEO.
Thanks, Fae
On 28 July 2017 at 20:32, Richard Symonds chasemewiki@gmail.com
wrote:
First: I know me and you haven't got on very well in the past Fae,
so I
want to underline that this email is meant in the friendliest way
possible. I
really appreciate the work you do on Commons, and am deeply struck
by
the passion with which you approach our shared goal. We're both on the
same
team
- working for free knowledge.
That said, there's a bit of criticism - constructive, I hope. I'm
not
sure if further emails like the ones at https://commons.wikimedia.org/wiki/User:F%C3%A6/email/IWM would be
very
helpful - they didn't work at the time, and clearly haven't worked
in
the past four years, despite your tweeting. The issue the IWM had in
that
case was that they didn't agree with you that it was copyfraud. The
solution
would be a sit-down talk between professionals, that is as you say, "invest some resources into changing their minds".
I remember trying this with the IWM in 2013 - at the time, I was
talking
to the institution about the WW1 centenary, which they were the driving force behind. They were happy to talk, and extremely friendly, and we had several meetings with them. However, they had issues with the emails that
you
were sending to them, which they saw as rude, passive-aggressive, and generally unhelpful. The institution didn't see them as polite
correspondence, and
it made them reticent to work with Wikipedia because they didn't feel
like
they could be a part of a community that spoke to people like that. I
know
that to you the emails were professional and to the point, and
objectively
correct. But to them it came across as unprofessional, and that it happened during the run-up to the WWI centenary made it very difficult for Wikipedia to get involved in the commemorations in any more than a passive capacity. You redoubled your efforts after you saw the IWM refusing to
change, but
sometimes, our passion for change - for righting the wrongs in the
world
makes us seem like fanatics to middle-managers in cultural
institutions.
This pushed them away, and made it harder for them to understand our point of view.
The solution here is, as you say, friendly and professional
discussions
social media campaigns about it, as well as using words like
"copyfraud"
(which invoke thoughts of criminality in the minds of the reader),
are
counterproductive. We need to be professional and approachable, engendering change through example, and although social media campaigns and
shaming
work sometimes (and are legitimate ways of forcing change on an old institution), we have to be careful not to go to it as a first option, especially
when
our strength in WMUK is our professional connections throughout the
third
sector and "GLAM" world.
On 28 July 2017 at 18:16, Fæ faewik@gmail.com wrote: > > On 28 July 2017 at 17:18, John Byrne john@bodkinprints.co.uk
wrote:
> > The BM still in effect operates a "don't ask, don't tell" policy
on
> > photography - see > > > > > > [http://www.britishmuseum.org/pdf/2011-11-14%20Visitor%
20Regulations%20FINAL.pdf
> > section 8.1] here: "8.1 Except where indicated by notices, you
are
> > permitted > > to use hand-held cameras (including mobile phones) with flash
bulbs
> > or > > flash > > units, and audio and film recording equipment not requiring a
stand.
> > You > > may > > use your photographs, film and audio recordings only for your own > > private > > and non-commercial purposes." The same goes for the images on
their
> > website. > > > > But as I think Fae knows, they have in the past kindly
facilitated
> > back-stage photography of objects by Wikipedians, knowing the
images
> > will be > > uploaded to Commons. Matthew Cock, our former main contact left
some
> > years > > ago. Most "policy" matters are hard to change at the BM because
of
> > the > > size > > of the organization. Everything "would have to go to the
Trustees" -
> > an > > appalling vista for middle management. > > > > No doubt the THM is trying to enforce these standard terms,
reflected
> > in > > the > > loan agreement, more strictly than the BM itself does. I'm not
sure
> > there's > > much point in going to or after them. > > > > One day their main policy will improve, but they are not easy to > > pressure - > > in practice things work ok as it is, normally. > > > > John > > Thanks John, I recall us having meetings with BM folks. It was > illuminating hearing how things work from the inside. Within my > personal network I have some insight into the BM specifically, and > other large academic related institutions. In general we get a > positive response from curators and researchers who may plan an > exhibition, in fact their issues with our open projects are spot on > and match our own concerns. But this is a very separate world from
the
> operations and marketing middle management who make the final > decisions on loan policies and public exhibition standards. > > From the perspective of open knowledge advocates, after meetings
and
> presentations I have had curators shake my hand and thank me for > saying things they cannot. One of the great benefits of having
unpaid
> volunteers like us knocking around with no "professional"
affiliation
> with the institutions that may manage the content we are passionate > about, is that we can say obvious things, without worrying too much > about diplomacy or PR. > > Despite being criticised for making waves every now and then, it's > those personal thanks for doing what I do that will encourage me to > call unambiguous copyfraud, copyfraud, whenever I see it. > > If anyone wants to see my previous efforts trying politely talking
to
> IP lawyers representing an institution that simply does not get it, > they can take a look at my correspondence with the Imperial War > Museum.[1] It's four years since I very politely and clearly gave
them
> the facts about their continued copyfraud, and they have not
lifted a
> finger to correct it. I guess they are too big to care about my
tweets
> that continue to point out this problem,[2] however it would be
great
> if WMUK wanted to invest some resources into changing their minds;
in
> line with our shared vision of open knowledge and free access to > public content. > > Links > 1. https://commons.wikimedia.org/wiki/User:Fae/email/IWM IWM
emails.
> 2. https://twitter.com/Faewik/status/890954001990201346 example
tweet
> on copyfraud from earlier today. > > Cheers, > Fae > -- > faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
-- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
-- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
Fae,
The connection would appear to be that your communications were perceived as hostile, threatening, and passive-aggressive and that Wikimedia UK lost a potential partnership as a result - a recurring theme with your involvement within Wikimedia UK. And now you're discussing using similar tactics with another leading national institution and recalcitrantly refusing to accept the negative feedback you're receiving. That will certainly ring bells for anyone who was involved back in 2013.
Even just based on your recent posts to this list, "hostile, threatening, and passive-aggressive" seems like an objectively fair summary of your communication style, not to mention the abject horror of other members of the community at going to war with potential partners. After so many years, it's difficult not to conclude that that is exactly how you intend your communications to come across, but if it honestly isn't, I implore you to go away and rethink your communication style.
Harry Mitchell http://enwp.org/User:HJ +44 (0) 7507 536 971 Skype: harry_j_mitchell
On Fri, Jul 28, 2017 at 9:56 PM, Fæ faewik@gmail.com wrote:
Hi Chris,
I don't see the connection between my membership of the charity and these claims being made publicly now, by a past employee, about critical feedback from the IWM.
No I don't know what was said in those meetings, and it would be a surprise if as a fellow trustee you knew about this feedback and never thought to share it with me or the board.
Thanks for your retraction of your false claim that I have published any private correspondence.
Thanks, Fae
On 28 July 2017 at 21:49, Chris Keating chriskeatingwiki@gmail.com wrote:
Oh god really Fae?
The Board finally agreed to accept your membership application, no doubt persuaded water had passed under the bridge, and bygones were now bygones.
Then within weeks you are forwarding private correspondence to this list and "demanding answers" about things that happened in 2013.
You already know the answers.
On Fri, Jul 28, 2017 at 9:18 PM, Stevie Benton stevie.d.benton@gmail.com wrote:
This is hilarious. As someone who was around at the time, all I can do
is
shake my head and laugh at the inevitability of this kind of
conversation.
WMUK would be ill-advised to allow a partnership of this importance to
be
frittered away in this manner.
Que sera, sera. I write with no hat on other than someone who cares
deeply
about open knowledge and also the chapter (well, my sun hat, but that denotes no role other than someone daft enough to wear it indoors, in
the
rain).
I think that those who were around at the time are more than aware of
the
circumstances Richard refers to, and many others besides.
On 28 Jul 2017 21:01, "Fæ" faewik@gmail.com wrote:
Could WMUK do a little research on this please?
If this feedback on my correspondence with the Imperial War Museum was received from the IWM during meetings with employees of the charity in January 2013, this happened when I was a trustee on the board. I do not recall feedback like this getting shared with the board from the CEO, nor was I personally approached or informed separate from the board. It's the sort of thing I doubt I would forget, though I do recall being critical during a board meeting about any potential WMUK project or partnership with the IWM at that time, unless their use of misleading claims of copyright on public domain media changed first.
As there were discussions about me, I would appreciate the notes held by WMUK from these meetings about a potential WMUK project being shared with me, even at this late stage. It seems fair that the WMUK CEO check the facts being made public on this list, and whether this feedback was shared with the board of trustees at the time.
This is not a reply to Richard Symonds, for reasons known to the WMUK board and CEO.
Thanks, Fae
On 28 July 2017 at 20:32, Richard Symonds chasemewiki@gmail.com
wrote:
First: I know me and you haven't got on very well in the past Fae,
so I
want to underline that this email is meant in the friendliest way
possible. I
really appreciate the work you do on Commons, and am deeply struck by the passion with which you approach our shared goal. We're both on the
same
team
- working for free knowledge.
That said, there's a bit of criticism - constructive, I hope. I'm not sure if further emails like the ones at https://commons.wikimedia.org/wiki/User:F%C3%A6/email/IWM would be
very
helpful - they didn't work at the time, and clearly haven't worked in the past four years, despite your tweeting. The issue the IWM had in that case was that they didn't agree with you that it was copyfraud. The
solution
would be a sit-down talk between professionals, that is as you say, "invest some resources into changing their minds".
I remember trying this with the IWM in 2013 - at the time, I was
talking
to the institution about the WW1 centenary, which they were the driving force behind. They were happy to talk, and extremely friendly, and we had several meetings with them. However, they had issues with the emails that you were sending to them, which they saw as rude, passive-aggressive, and generally unhelpful. The institution didn't see them as polite correspondence,
and
it made them reticent to work with Wikipedia because they didn't feel
like
they could be a part of a community that spoke to people like that. I know that to you the emails were professional and to the point, and objectively correct. But to them it came across as unprofessional, and that it happened during the run-up to the WWI centenary made it very difficult for Wikipedia to get involved in the commemorations in any more than a passive capacity. You redoubled your efforts after you saw the IWM refusing to change,
but
sometimes, our passion for change - for righting the wrongs in the
world
makes us seem like fanatics to middle-managers in cultural
institutions.
This pushed them away, and made it harder for them to understand our point of view.
The solution here is, as you say, friendly and professional
discussions
social media campaigns about it, as well as using words like
"copyfraud"
(which invoke thoughts of criminality in the minds of the reader),
are
counterproductive. We need to be professional and approachable, engendering change through example, and although social media campaigns and
shaming
work sometimes (and are legitimate ways of forcing change on an old institution), we have to be careful not to go to it as a first option, especially
when
our strength in WMUK is our professional connections throughout the third sector and "GLAM" world.
On 28 July 2017 at 18:16, Fæ faewik@gmail.com wrote:
On 28 July 2017 at 17:18, John Byrne john@bodkinprints.co.uk
wrote:
> The BM still in effect operates a "don't ask, don't tell" policy
on
> photography - see > > > [http://www.britishmuseum.org/pdf/2011-11-14%20Visitor%
20Regulations%20FINAL.pdf
> section 8.1] here: "8.1 Except where indicated by notices, you are > permitted > to use hand-held cameras (including mobile phones) with flash
bulbs
> or > flash > units, and audio and film recording equipment not requiring a
stand.
> You > may > use your photographs, film and audio recordings only for your own > private > and non-commercial purposes." The same goes for the images on
their
> website. > > But as I think Fae knows, they have in the past kindly facilitated > back-stage photography of objects by Wikipedians, knowing the
images
> will be > uploaded to Commons. Matthew Cock, our former main contact left
some
> years > ago. Most "policy" matters are hard to change at the BM because of > the > size > of the organization. Everything "would have to go to the
Trustees" -
> an > appalling vista for middle management. > > No doubt the THM is trying to enforce these standard terms,
reflected
> in > the > loan agreement, more strictly than the BM itself does. I'm not
sure
> there's > much point in going to or after them. > > One day their main policy will improve, but they are not easy to > pressure - > in practice things work ok as it is, normally. > > John
Thanks John, I recall us having meetings with BM folks. It was illuminating hearing how things work from the inside. Within my personal network I have some insight into the BM specifically, and other large academic related institutions. In general we get a positive response from curators and researchers who may plan an exhibition, in fact their issues with our open projects are spot on and match our own concerns. But this is a very separate world from
the
operations and marketing middle management who make the final decisions on loan policies and public exhibition standards.
From the perspective of open knowledge advocates, after meetings and presentations I have had curators shake my hand and thank me for saying things they cannot. One of the great benefits of having
unpaid
volunteers like us knocking around with no "professional"
affiliation
with the institutions that may manage the content we are passionate about, is that we can say obvious things, without worrying too much about diplomacy or PR.
Despite being criticised for making waves every now and then, it's those personal thanks for doing what I do that will encourage me to call unambiguous copyfraud, copyfraud, whenever I see it.
If anyone wants to see my previous efforts trying politely talking
to
IP lawyers representing an institution that simply does not get it, they can take a look at my correspondence with the Imperial War Museum.[1] It's four years since I very politely and clearly gave
them
the facts about their continued copyfraud, and they have not lifted
a
finger to correct it. I guess they are too big to care about my
tweets
that continue to point out this problem,[2] however it would be
great
if WMUK wanted to invest some resources into changing their minds;
in
line with our shared vision of open knowledge and free access to public content.
Links
emails.
tweet
on copyfraud from earlier today.
Cheers, Fae -- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
-- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
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-- faewik@gmail.com https://commons.wikimedia.org/wiki/User:Fae
Wikimedia UK mailing list wikimediauk-l@wikimedia.org https://lists.wikimedia.org/mailman/listinfo/wikimediauk-l WMUK: https://wikimedia.org.uk
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