There is a lot of misunderstanding here as to what constitutes a derivative work. But one need only look at Galoob v. Nintendo to dispel most of it:
I've seen Galoob v. Nintendo, but I've chosen to ignore it because it doesn't apply:
"The examples of derivative works provided by the Act all physically incorporate the underlying work or works. The Act's legislative history similarly indicates that 'the infringing work must incorporate a portion of the copyrighted work in some form.'"
The Galoob case is about the "game genie" (in short a device which patches a nintendo game as it's loaded)... If you include more of the courts findings you see that:
"Having paid Nintendo a fair return, the consumer may experiment with the product and create new variations of play, for personal enjoyment, without creating a derivative work."
Right. The courts position was that it's not a derivative work for the purpose of the copyright act because it must be used *with* the original work.
That's not what they said. They don't link the exclusion of copyright infringement to the fact that you must use the item with the original work. That's just a description of the way it works and it has nothing to do with obiter dictum in this case.
The infringing work must incorporate a portion of the copyrighted work in some form. This might be the storyline, as in the case of fan fiction, but if there is no incoporation of the copyrighted work in the alleged infringing work, then there is no case, and a jury wouldn't even hear the case because it would be dismissed by a judge before a jury was even selected.
To be infringing the work must be a derivative, so lets consult the law for what a derivative is:
"A "derivative work" is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted. A work consisting of editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship, is a "derivative work". ( 17 U.S.C. ยง101)
Sounds like they are specifically referring to wikipedia with the text "editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship". The case of reading of text and then being inspired and writing some new text, ends up being excluded because you can not easily demonstrate it to be the result of a simple set of transformations, elaborations, commentations, or other modifications. The revision control system changes that.
Being inspired is authorized !
What is not is to base your work upon a preexisting one. The second part of 17 U.S.C simply means that the article A+B+C is a derivative work and that A, B and C are original works as a whole.
Your description of what is required to infringe would be nice, but it's at odds with the law.
It's not. Every addition is an original work and the article is a derivative work.
There is a huge amount of case law that would appear to support the bulk of wikipedia's activities at face value, for example the classic "Rosemont Enterprises, Inc. v. Random House, Inc." but which completely fail to cover the case where the proof derivative work status is so easy made by the existence of the revision history.
There is not need to proof anything. It's case law : I can find cases in any contradictory sense you want. There is even a french girl who completely plagiarized "Gone With The Wind" but was ruled free of charges... ("la bicyclette bleue" for my fellow french companions)
Please, find some caselaw that saves us from that.... Without it, I think we need to refer to the specific wording of section 101 which puts the exact sort of incremental changes done in wikipedia in peril.
No.
It states that every addition is an original work and that only their combination is a derivative work.
There isn't much caselaw on the fanfiction subject, but just about *everyone* agrees that true derivatives should be protected, and it's very clear that the political trends are towards expanding the scope of copyright and not reducing it...
Well "dramatization"... isn't it explicitely related to Fan Fiction?
Jean-Baptiste Soufron Intellectual Property and Contracts