Congratulations, Joseph. Very good work, you finally succeded in providing a major contribution to this interesting research area.
Regards,
Felipe.
Joseph Reagle reagle@mit.edu escribió: Hello everyone, I thought some folks might be interested in:
[[http://reagle.org/joseph/blog/culture/wikipedia/annc-in-good-faith .... Wikipedia, "the free encyclopedia anyone can edit," has caught the attention of the world. Discourse about the efficacy and legitimacy of this collaborative work abound, from the news pages of "The New York Times" to the satire of "The Onion." So how might we understand Wikipedia collaboration? In part 1 I argue that Wikipedia is an heir to a twentieth century vision of universal access and goodwill; an idea advocated by H. G. Wells and Paul Otlet almost a century ago. This vision is inspired by technological innovation -- microfilm and index cards then, digital networks today -- and driven by the encyclopedic compulsion to capture and index everything known. In addition, I place Wikipedia within the history of reference works, focusing on their (often fervent) creators, and the cooperation, competition, and plagiarism encountered in their production. In part 2, I conceptualize Wikipedia as a technologically mediated "open" community; through ethnography I identify the norms, practices and meanings of Wikipedia culture including "Neutral Point of View," good faith, and authorial leadership. In particular, I use the metaphor of a jigsaw puzzle to explain the operation of Wikipedia's collaborative culture: "Neutral Point of View" ensures that the scattered pieces of what we think we know can be joined and good faith facilitates the actual practice of fitting them together. Finally, in part 3 I focus on the cultural reception and interpretation of Wikipedia. I argue that in the history of reference works Wikipedia is not alone in serving as a flashpoint for larger social anxieties about technological and social change. I try to make sense of the social unease embodied in and prompted by Wikipedia by way of four themes present throughout the dissertation: collaborative practice, universal vision, encyclopedic impulse, and technological inspiration. I show that the discourse around Wikipedia reveals concerns about how new forms of technologically mediated content production are changing the role and autonomy of the individual, the authority of existing institutions, and the character (and quality) of cultural products. ]]
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