Thank you Casey, Doc and all who've shared your thoughts on Coriolanus, the play and the performance. A wonderful conversation to listen in on. And thanks again Mike for setting up this list two years ago.
Like Kate I don't know the play well but am looking forward to giving it some attention soon. I did see one performance of it with James long long ago in London, a small-stage Kick Theatre production directed by Deborah Warner, and I must confess my only lasting memory of that evening is that just as I was nodding off about halfway through, lulled into a trance state by the incessant jawing of various indistinguishable (to me, then) plebians and tribunes, I suddenly had the strange feeling, asserting itself through the fog in my head, that something had changed onstage... oh, wait a minute, the guy playing Coriolanus... he's not wearing any clothes..... Helllllo! Oh, Calcutta! He was showing his scars. All of 'em. I was awake for at least another act after that.
I will be seeing the summer class performance Saturday afternoon and look forward to re-reading the emails afterwards. Speaking of threads, I trust none of the students are pulling an Ian McKellan and dropping trou (or toga) in this one.
Though I have nothing helpful to say about the play right yet, other than to advise you to watch out for naked people in it, I did want to tip a hat in the direction of Dr. James Loehlin, whose decision to invite some of Shakespeare's "turkeys" (as Terry put it) into the Barn made this roundtable discussion possible. Over the past few years I have sensed that James's students bring a special energy to the lesser-known plays, perhaps reflecting in part their teacher's excitement at taking on a work never before assayed in full in the Barn. And it's wonderful, as someone who's read and listened to Shakespeare performances for almost 30 years, to sit and watch a play under the cedar beams and actually not know what's going to happen next in the story. So thanks for that, James.
The well-loved plays can certainly be fresh and surprising with each approach, and the great achievement there perhaps is to make us forget, for a while, that we've seen the play before, and to lead us into experiencing it anew. Watching the Camp "Macbeth" gave me that feeling many times last month. But it's been very interesting to get a wide-angle view on Shakespeare by experiencing some of his less successful or brilliant work. You never know when those little flashes of genius will spark up, even in the turkeys. Failures are as interesting in their own way as successes.
I never could get very far into the Henry VI plays as a reader, but now have a much better sense of their possibilities thanks to James and the summer classes. Doc has done much of the same thing for all of us over the years by leading students and audiences to Pericles, Cymbeline, the first-quarto Hamlet, and other Elizabethan plays such as Shoemaker's Holiday. The lifelong learning continues.
I have heard James say he wants to eventually take on at Winedale every play Shakespeare wrote, which means, at some point before too long, Titus, Timon, Henry VIII.... Gobble gobble. Turkey sandwiches for all. I'll bring the mayo.
cs