2nd Call for Papers, apologies for cross-posting
------------------------------------------------------------------------------
SPECIAL TRACK on METADATA & SEMANTICS for CULTURAL COLLECTIONS &
APPLICATIONS
Part of the 14th International Conference on
Metadata and Semantics Research (MTSR 2020)
<http://www.mtsr-conf.org/home>
VIRTUAL CONFERENCE
Paper Submission Deadline: 2nd August, 2020
Virtual Conference on 30th November - 4th December 2020
http://www.ionio.gr/labs/dbis/mtsr2020/
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
The 14th International Conference on Metadata and Semantics Research (MTSR
2020 <http://www.mtsr-conf.org/home>), as well as the
SPECIAL TRACK on METADATA & SEMANTICS for CULTURAL COLLECTIONS & APPLICATION
<http://www.ionio.gr/labs/dbis/mtsr2020/>S, due to the
COVID-19 pandemic will take place virtually on 30th November - 4th December
2020.
*** Submission deadline: August 2nd, 2020 ***
Proceedings will be published in Springer CCIS series. CCIS is
abstracted/indexed in Scopus, SCImago,
EI-Compendex, Mathematical Reviews, DBLP, Google Scholar. CCIS volumes are
also submitted for the
inclusion in ISI Proceedings.
AIM AND SCOPE
Cultural Heritage collections are essential knowledge infrastructures that
provide a solid
representation of the historical background of human communities. These
knowledge infrastructures
are constructed from and integrate cultural information derived from
diverse memory institutions,
mainly libraries, archives and museums. Each individual community has spent
a lot of effort
in order to develop, support and promote its own systems, tools and
metadata for the management
of cultural information, mainly related to its particular resources and
use.
In this framework, the management of the cultural information has to deal
with challenges related to
(i) metadata modeling, specification, standardization, extraction,
(semantic) enrichment, mapping,
integration, effective use, and evaluation, (ii) knowledge representation
as conceptualization to
provide the context for unambiguously interpreting metadata, and (iii)
information integration from
different contexts for the provision of integrated access, reuse and
advanced services to users.
At the same time, there are also inter-domain efforts targeted to
semantically align data (research
data, educational data, public sector information etc.) to cultural
information. New challenges are
also emerged from the need to incorporate cultural information into the new
publication paradigms,
where a variety of resources (data, metadata, processes, results, etc) are
linked and integrated,
providing better shareability and reusability. Currently, Linked (Open)
Data, as part of the
Semantic Web Technology, is having a major role in modernizing cultural
heritage collections.
Providing to users the possibility to re-use and integrate data into their
own systems is currently
more than a need, given that transparency and access to information is a
prerequisite. A critical
factor to the effectiveness of many aspects of all the above efforts is the
quality of metadata,
as interpreted by its context and use and evaluated by the proper measures
and methods. Many
institutions and aggregate infrastructures are dealing with the poor
quality of metadata that
inevitably results in poor integration, search and reuse, while their
enrichment, in terms of
contextualization, co-referencing, alignment, etc, is really challenging.
The aim of this Special Track is to maintain a dialogue where researchers
and practitioners working
on all the aspects of the cultural information will come together and
exchange ideas about open issues
at all stages of the cultural heritage information life cycle. The track
also welcomes works related to
semantics and applications for new approaches to cultural information
publication and sharing, as well
as to interlinking to other datasets published in the Semantic Web universe.
TOPICS
The papers in this special track should be original and of high quality,
addressing issues in areas
such as:
* Cultural Heritage metadata models, standards, ontologies, knowledge
organization and representation systems
* Cultural Heritage information integration, interoperability and mappings
* Automated extraction of metadata, entities, and patterns from Cultural
Heritage resources
* Metadata manual or automated (Semantic) enrichment and search
* Metadata quality metrics, tools and services
* Linked Open Data approaches in the Cultural Heritage domain
* Publication, linking and citation of Cultural Heritage information and
resources
* Large volume content management
* 3D models-indexing, storage and retrieval approaches
* Infrastructures for sharing content
* Digital Curation workflows and models
* Provenance and preservation metadata for Cultural Heritage digital
resources
SUBMISSION GUIDELINES
Authors can submit either full papers (12 pages) or short papers (6 pages).
Submitted papers have to
follow the LNCS proceedings formatting style and guidelines
<https://www.springer.com/gp/computer-science/lncs/conference-proceedings-gu…>
.
Submissions should be original and not previously submitted, published and
under review to other
Conferences or Journals.The submitted papers will undergo the same peer
review as the submissions
for MTSR 2020 and accepted contributions will be published in the MTSR 2020
proceedings (Springer CCIS series <https://www.springer.com/series/7899>).
Authors of accepted papers will be asked to register to the Conference and
present their work.
Selected papers might be considered for a revised and extended version to
be published in a range of
international journals, including the International Journal of Metadata,
Semantics and Ontologies
<https://www.inderscience.com/jhome.php?jcode=ijmso>
(Inderscience), and Data Technologies and Applications
<https://www.emeraldgrouppublishing.com/journal/dta> (previously published
as Program, Emerald).
More information on submission can be found at the MTSR 2020 call for
papers web page.
IMPORTANT DATES
August 2nd, 2020: Submission deadline
September 6th, 2020: Notification of decision (Acceptance/Rejection)
September 20th, 2020: Camera-ready papers due
November 30th - December 4th 2020: the Virtual MTSR 2020 Conference will
take place
SPECIAL TRACK CHAIRS
* Michalis Sfakakis, Dept. Archives, Library Science and Museology, Ionian
University, Corfu, Greece (sfakakis(a)ionio.gr)
* Lina Bountouri, Dept. Archives, Library Science and Museology, Ionian
University, Corfu, Greece and
EU Publications Office - European Commission, Luxembourg (
boudouri(a)ionio.gr, linabountouri(a)gmail.com)
PROGRAM COMMITTEE
- Trond Aalberg, Oslo Metropolitan University, Norway
- Enrico Fransesconi, EU Publications Office, Luxembourg, and Consiglio
Nazionale delle Ricerche, Firenze, Italy
- Manolis Gergatsoulis, Ionian University, Greece
- Antoine Isaac, Vrije Universiteit Amsterdam, Netherlands
- Sarantos Kapidakis, University of West Attica, Greece
- Christos Papatheodorou, National and Kapodistrian University of Athens
and Digital Curation Unit, IMIS, Athena RC, Greece
- Chrisa Tsinaraki, Joint Research Centre, European Commission, Italy
- Andreas Vlachidis, Faculty of Computing, Engineering and Science,
University of South Wales, UK
- Maja Žumer, University of Ljubljana, Slovenia
------------------------------
To unsubscribe from the DC-LIBRARIES list, click the following link:
https://www.jiscmail.ac.uk/cgi-bin/WA-JISC.exe?SUBED1=DC-LIBRARIES&A=1
Dear colleagues,
We are pleased to announce a call for papers for the international conference ** Collect & Connect: Archives and Collections in a Digital Age **. The deadline for paper submissions is 11 September 2020. The conference will be held online on 23 to 24 November 2020. Naturalis Biodiversity Center in Leiden (the Netherlands) from 23 to 24 November 2020 (* see also COVID 19 note below).
The aims of this conference which officially concludes the NWO/Brill Creative Industries Project Making Sense of Illustrated Handwritten Archives (2016-2020) are twofold. First, to present results of finished and original research in the field of digitized archives and natural and cultural heritage collections. Second, to promote exchange and discussion between researchers and heritage professionals in the field of digital natural and cultural heritage. Papers can be submitted as regular papers (=10-12 pages) and short papers (=5-9 pages) through EASYCHAIR. More information about the conference and the link to the submission system can be found here: http://cfp.makingsenseproject.org
All positively reviewed papers shall be submitted as proceedings volume to CEUR-WS.org<http://www.google.com/url?q=http%3A%2F%2Fceur-ws.org%2F&sa=D&sntz=1&usg=AFQ…> for online publication. Six to eight papers presented at the conference are expected to be selected for publication in the Journal of Computing and Cultural Heritage (JOCCH).
Scope of the special session:
In recent years, libraries, archives and museums have spent major efforts on annotating and enriching their digitized archives and collections with contextual information, in order to make them retrievable and interlinked in novel ways. Often institutions aim to enhance their reach and relevance for broader user groups. A major challenge in the field is the heterogeneous character of many of such digitized collections. Many handwritten archives and collections of physical objects in the realms of natural history, archaeology, history, and art history entail combinations of textual and visual elements whose interpretation requires a range of different expertise and computational technologies. This conference therefore welcomes papers that present, discuss, and reflect upon the technical, social, and institutional challenges digital heritage professionals and researchers encounter when enriching heterogeneous digitized collections with context.
Topics include, but are not limited to:
* Semantic web approaches to interlinking digitized historical archives and collections
* Text and image interpretation in digital collections
* Multimodal collection interpretation and access
* Handwriting recognition and heterogeneous digital collections
* Machine learning and digital collections
* Bias and digital heritage
* Computer vision and digital collections
* Digital collections' access and inclusivity
* Sharing and visualization of heterogeneous historical archives and collections
* Citizen science (including crowdsourcing) and digital archives and collections
* Challenges of enriching digitized handwritten archive material
* Digital capture and annotation of heterogeneous collections and artefacts
* Dealing with uncertainty, quality issues, data bias and collection gaps
* Geographical and spatial enrichment of collections
* Application of common vocabularies and data reconciliation
If you are not sure whether you research fits with ** Collect & Connect ** or if you have any other question relate to the event, please do not hesitate to contact the conference chairs:
1. Andreas Weber (a.weber(a)utwente.nl<mailto:a.weber@utwente.nl>)
1. Eulàlia Gassó Miracle (eulalia.gassomiracle(a)naturalis.nl<mailto:eulalia.gassomiracle@naturalis.nl>)
2. Katy Wolstencroft (k.j.wolstencroft(a)liacs.leidenuniv.nl<mailto:k.j.wolstencroft@liacs.leidenuniv.nl>)
4. Maarten Heerlien (m.heerlien(a)rijksmuseum.nl<mailto:m.heerlien@rijksmuseum.nl>)
Kind regards,
Andreas Weber
(*) COVID-19 NOTE: Due to current COVID-19 regulations we do not yet know in what form the conference will take place. For now, we aim at a hybrid conference which will allow a small number of participants from nearby to come to Naturalis. All other participants (including presenting authors from abroad) who cannot come to Naturalis, will get in any event the opportunity to contribute to the conference digitally.
------------------------------------------------------------------------------------------------------------------------------
Dr. Andreas Weber, University of Twente
Assistant professor | Department of Science, Technology and Policy Studies (STePS)
https://www.utwente.nl/en/bms/steps/staff/weber/
International Conference: Collect&Connect: Archives and Collections in a Digital Age - submit a paper<http://cfp.makingsenseproject.org/>!
ICAART Special session on AI & Digital Cultural Heritage (ARTIDIGH 2021) - submit a paper<http://www.icaart.org/ARTIDIGH.aspx>!
Most recent journal paper: Collecting Colonial Nature (BMGN, 2019, 134) - PDF<https://www.bmgn-lchr.nl/articles/10.18352/bmgn-lchr.10741/>
Most recent book: Locations of Knowledge in Dutch Contexts (Brill, 2019) - TOC<https://brill.com/view/title/24990?lang=en>
Hello everyone,
There's a lot happening in the background right now, so we decided with
Andrea and others to cancel tomorrow's call since we don't have a lot to
share right now.
I do have some updates that I want to share with everyone and invite you to
take a closer look at:
*Funds being provided by Creative Commons for Open GLAM*
The *CC Open GLAM Platform* is offering funding for some activities! You
can read more about the activities that will be receiving funding here
<https://docs.google.com/document/d/17-gOtMKtDCEUy-PuxsuZhZQTGzKHX94rmZTdibq…>.
We have two open calls:
- - For general projects and activities that align with the platform,
fill out the application form here: https://forms.gle/r38RUfKgkk8AAZP6A
<https://forms.gle/r38RUfKgkk8AAZP6A>before *August 3, 2020*
- - If you have a story to tell for the Medium Open GLAM and you are
part of an underrepresented community, fill out the open call here:
https://forms.gle/MMZak1Jn6xS9s6i77 -- we are granting 300USD to tell
your story!
For more information, check out our page
<https://network.creativecommons.org/we-want-to-hear-from-open-glam-in-under…>,
or drop us an email at info(a)openglam.org
*New logo for Open GLAM*
We are working on refreshing the website - more news coming soon. In the
meantime, check our new logo (also attached).
[image: image.png]
*The Passenger Pigeon Manifesto*
Adam Harangozó has been sharing this Manifesto that he wrote recently, and
he's looking for signatures:
https://docs.google.com/document/d/1odIjnw3jbuTXYoOChroFIi0cEp4W3Hrdfu3xhY8…
Feel free to send him an email to adamhrngzo(a)gmail.com if you want to sign
the Manifesto.
We'll be back next month with more updates and with a clear agenda for our
next call in August.
Have a great week!
cheers,
scann
Hello everyone,
Creative Commons has agreed to give some resources to the work happening in
Open GLAM. We'll be using this money for three different projects (a
visualization of the Open GLAM survey made by Andrea Wallace and Douglas
McCarthy, an open call for projects, and a call for short stories of Open
GLAM from underrepresented communities).
The call for proposals for Open GLAM stories from underrepresented
communities it's finally open! If you want to find out more and how to
apply, here's more information:
https://network.creativecommons.org/we-want-to-hear-from-open-glam-in-under…
Please help us to distribute it widely!
cheers,
scann
Dear All - I just joined City Library of Rijeka (Croatia)
as Wikimedian-in-Residence and would like to initiate
basic informing and possible education in it,
but also in the city (European city of Culture 2020)
and the country (this might be the first effort in Croatia).
Is there a good document or video to consult
on what to do first and how to advance my host
https://www.wikidata.org/wiki/Q17453697
Best Z. Blace
Hi everyone,
I'm Sam from Urban Archive <http://urbanarchive.org/>, a small
tech-nonprofit based out of NYC. We merge open city data with the digital
collections of dozens of museums, libraries, and city agencies, making it
easy for anyone to explore today's rapidly-changing urban environments in a
single place.
We have 70+ partners across four cities & recently started a blog series
called *Q&Archives* to provide a window into some of our conversations,
collaborative workflows, as well as challenges that come up in the
development process.
I thought it might be of interest to some of you:
- How the Brooklyn Public Library Approaches Curating Collections and
Digital Initiatives
<https://medium.com/urban-archive/q-archives-how-the-brooklyn-public-library…>
- Capturing a Community-Based Archive with Queens Public Library
<https://medium.com/urban-archive/q-archives-how-the-brooklyn-public-library…>
- The Future of Records at the NYC Department of Sanitation
<https://medium.com/urban-archive/q-archives-the-future-of-records-at-the-ny…>
Feel free to reach out to just say hello or with anyone questions related
to this kind of map/glam work!
Cheers,
Sam
--
*Sam Addeo*she/her
Director of Community and Development
Urban Archive
123 Bowery | Floor 4 | New York, NY 10002
www.urbanarchive.nyc | o 646-504-7719 | c 631-645-8363
Hello everyone,
Just a reminder that tomorrow we'll have our Open GLAM call, happening at
Uberconference: https://www.uberconference.com/openglam at 2 PM UTC. Check
your timezone to know at what time you're supposed to be on the call!
We have a lot of interesting stuff to share. First, the first draft of the
White Paper is almost done - Andrea is working on final details and
hopefully we'll be able to start circulating that by the end of
July-beginning of August, but we're getting closer to reaching this
milestone.
We also have some important news to share about funding for some small
projects, and some housekeeping issues such as logo & website redesign.
During the day I'll be updating the agenda. You can find the agenda and log
of past meetings here:
https://docs.google.com/document/d/1y-ooRioOKMgLJo5s9IB-kDmmq5ZXUsiAPGRBzMM…
cheers,
scann
PS: If you want to unsubscribe from the list please follow Liam's
instructions. Do not email everyone asking to be unsubscribed, we'll
appreciate it.
For anyone wanting to be unsubscribed (aka "deleted") from a mailing list
using the 'mailman' software - as this list is - you can perform the action
yourself. You do not need to email everyone else on the mailing list in
order to do this.
1. Click the link in the footer of every email (in this case it is
https://lists.wikimedia.org/mailman/listinfo/open-glam )
2. scroll down to the 'change my settings or unsubscribe'.
3. Insert the email address you are subscribed with, then click the button.
4. On that page is a button that says "unsubscribe". Click it.
5. You will receive an email requesting confirmation, click the link.
Dear Marta,
I would like to work with this group on this project.
Thank you,
Esther Momand
San Jose State University
On Sun, May 24, 2020 at 2:57 AM <open-glam-request(a)lists.wikimedia.org>
wrote:
> Send Open-GLAM mailing list submissions to
> open-glam(a)lists.wikimedia.org
>
> To subscribe or unsubscribe via the World Wide Web, visit
> https://lists.wikimedia.org/mailman/listinfo/open-glam
> or, via email, send a message with subject or body 'help' to
> open-glam-request(a)lists.wikimedia.org
>
> You can reach the person managing t
> open-glam-owner(a)lists.wikimedia.org
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of Open-GLAM digest..."
>
>
> Today's Topics:
>
> 1. Re: Copyright and Open Licenses - Working group Digital
> Cultural Heritage - ICOM Italia (Amalyah Keshet)
> 2. Re: Copyright and Open Licenses - Working group Digital
> Cultural Heritage - ICOM Italia (Amalyah Keshet)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sun, 24 May 2020 12:48:16 +0300
> From: Amalyah Keshet <amalyah.keshet(a)gmail.com>
> To: "A list for people interested in open access, open data and open
> content in the cultural heritage sector. See https://openglam.org/
> for
> more info about this community." <open-glam(a)lists.wikimedia.org>
> Subject: Re: [Open-GLAM] Copyright and Open Licenses - Working group
> Digital Cultural Heritage - ICOM Italia
> Message-ID:
> <
> CAKD+RFrDcGcXKajr9Y5+RqXbjU78Z9VNbAKM65CvrsvzGOKHjg(a)mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> I would also like to join. Thanks.
>
> *Amalyah Keshet*
> *Copyright Management for Cultural Heritage, Jerusalem*
> *Senior Consultant, Naomi Korn Associates, London*
>
>
> On Thu, May 21, 2020 at 10:42 PM Melissa Levine <mslevine(a)umich.edu>
> wrote:
>
> > Dear Marta,
> >
> > I would like to work with the group on this.
> >
> > Warm regards,
> >
> > Melissa Levine
> >
> > On Thu, May 21, 2020 at 2:38 PM Luis Ramos Pinto <
> luisramospinto(a)gmail.com>
> > wrote:
> >
> >> I would also love to join, thanks.
> >>
> >> On Thu, 21 May 2020 at 17:14, Carlos Henrique Marcondes <
> >> ch_marcondes(a)id.uff.br> wrote:
> >>
> >>> Dear Marta,
> >>>
> >>> I would like to join the work group.
> >>>
> >>> Best regards
> >>>
> >>> Carlos H. Marcondes
> >>> ECI/UFMG - Escola de Ciência da Informação, Universidade Federal de
> >>> Minas Gerais
> >>>
> >>>
> >>> <
> https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…>
> Livre
> >>> de vírus. www.avast.com
> >>> <
> https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…
> >.
> >>>
> >>>
> <#m_907866549026945953_m_-1997386063881069602_m_-6229095864987302673_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
> >>>
> >>> Em qua., 20 de mai. de 2020 às 09:12, Marta Arosio <
> >>> marta.arosio(a)wikimedia.it> escreveu:
> >>>
> >>>> Dear all,
> >>>> I forward this e-mail from ICOM Italia. Sarah, who works for ICOM
> >>>> Italia, is forming a group in order to create an handbook for GLAMs
> >>>> about open licenses. If someone would like to join I think it would be
> >>>> wounderful and really useful for the project!
> >>>> Cheers
> >>>> Marta Arosio
> >>>> Wikimedia Italia
> >>>>
> >>>> -------- Messaggio originale --------
> >>>> Oggetto: Copyright and Open Licenses - Working group Digital
> Cultural
> >>>> Heritage - ICOM Italia
> >>>> Data: 2020-05-11 11:14
> >>>> Mittente: Sarah orlandi <Sarahdominique.orlandi(a)fastwebnet.it>
> >>>> Destinatario: Marta Arosio <marta.arosio(a)wikimedia.it>
> >>>>
> >>>> Dear all,
> >>>>
> >>>> I hope this email finds you well.
> >>>>
> >>>> The Digital Cultural Heritage research group of ICOM Italy has been
> >>>> invited by the board of directors to study the themes of Copyright and
> >>>> Open Licenses on the web related to the reproduction of cultural
> >>>> heritage for publication on the Internet. The first step will be the
> >>>> creation of a FAQ document, easy to understand and ready to use, for
> >>>> Museums, Libraries and Archives. We will try to identify and answer
> the
> >>>> questions that many cultural heritage professionals are faced with
> >>>> almost daily.
> >>>>
> >>>> The working group, composed by Sarah Dominique Orlandi (coordinator),
> >>>> Anna Maria Marras, Deborah De Angelis, Pierfrancesco Fasano, Cristina
> >>>> Manasse and Mirco Modolo, is drawing up the first list of questions
> >>>> divided in macro-areas.
> >>>>
> >>>> We will also set up a second group of selected stakeholders, which
> will
> >>>> play a fundamental role in conducting critical analyses and supporting
> >>>> the working group. This stakeholder group will provide suggestions on
> >>>> relevant topics and research methodology as well as verify the
> questions
> >>>> and validate the first draft of the document.
> >>>> We believe that you can be part of this stakeholder group. This only
> >>>> requires a small commitment, nonetheless fundamental to improve the
> >>>> drafting of the document and to make sure that all issues of interest
> >>>> are adequately addressed.
> >>>>
> >>>> If you should you be interested in participating, in two weeks we will
> >>>> send you the list of questions, organized by themes, to gather your
> >>>> suggestions and comments related to your areas of competence or
> >>>> interest.
> >>>>
> >>>> In the hope of a positive response, I will be waiting for your kind
> >>>> reply.
> >>>> Sincerely.
> >>>> Sarah Dominique Orlandi
> >>>>
> >>>> _________________________________________________________________
> >>>>
> >>>> Working group Digital Cultural Heritage - ICOM – International
> >>>> Council of Museums – Italia
> >>>>
> >>>> Copyright and Open Licenses on the web
> >>>>
> >>>> Mail: digital.cultural.IcomItalia(a)gmail.com
> >>>> _________________________________________________________________
> >>>>
> >>>> Vi informiamo che la presente email è destinata unicamente agli
> >>>> indirizzi/nominativi indicati e che le informazioni in essa contenute
> >>>> sono da considerarsi riservate. La diffusione, la distribuzione e la
> >>>> copiatura del contenuto trasmesso da parte di qualsiasi soggetto
> diverso
> >>>> dal destinatario è vietata ai sensi dell’art. 616 C.P. e del GDPR
> >>>> 16/679. Qualora doveste ricevere questo messaggio per errore siete
> >>>> pregati di distruggerne interamente il contenuto e di informarci
> >>>> immediatamente scrivendo una email a info(a)icom-italia.org.
> >>>> Privacy: ai sensi e per gli effetti dell’Art. 13 del D.Lgs. 196/03 e
> >>>> dell’Art. 7 del Regolamento UE 2016/679, vi informiamo che il titolare
> >>>> del trattamento dei vostri dati personali è l’Associazione ICOM
> >>>> ITALIA che si impegna ad utilizzarli esclusivamente per esigenze
> >>>> contabili, amministrative e di comunicazione. Nel caso non siate
> >>>> interessati a ricevere nostre comunicazioni potrete in qualsiasi
> momento
> >>>> rispondere a questa email specificando il nome della vostra azienda e
> >>>> l'indirizzo da rimuovere.
> >>>>
> >>>>
> >>>>
> -----------------------------------------------------------------------------------
> >>>>
> >>>>
> >>>> We inform you that this email is confidential and for the intended
> >>>> recipient(s) only. Do not use the contents for any purpose whatsoever
> >>>> nor disclose them to anyone else. According to the Italian Civil Code,
> >>>> Article 616 and GDPR 16/679, If you are not the intended recipient it
> is
> >>>> prohibited to copy, modify, distribute or to take any action in
> reliance
> >>>> on it. If you have received this email in error, please notify the
> >>>> sender at info(a)icom-italia.org and delete this email from your
> system.
> >>>> Privacy policy: In accordance with and pursuant to the Article 13 of
> the
> >>>> Personal Data Protection Code (Legislative decree No.196 of 30 June
> >>>> 2003) and the Article 7 of EU Regulation 2016/679 we inform you that
> the
> >>>> controller of the personal data processing is ICOM ITALIA that is
> >>>> obligated to use them for accounting, administrative, and
> communication
> >>>> purposes only. If you are not interested in receiving our emails, you
> >>>> can cancel this service at any time by answering this email specifying
> >>>> the company name and email address that should be removed.
> >>>>
> >>>> --
> >>>> Marta Arosio
> >>>> Responsabile delle relazioni con le istituzioni culturali
> >>>> Wikimedia Italia
> >>>>
> >>>> _______________________________________________
> >>>> Open-GLAM mailing list
> >>>> Open-GLAM(a)lists.wikimedia.org
> >>>> https://lists.wikimedia.org/mailman/listinfo/open-glam
> >>>>
> >>>
> >>>
> >>> <
> https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…>
> Livre
> >>> de vírus. www.avast.com
> >>> <
> https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…
> >.
> >>>
> >>>
> <#m_907866549026945953_m_-1997386063881069602_m_-6229095864987302673_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
> >>> _______________________________________________
> >>> Open-GLAM mailing list
> >>> Open-GLAM(a)lists.wikimedia.org
> >>> https://lists.wikimedia.org/mailman/listinfo/open-glam
> >>>
> >> _______________________________________________
> >> Open-GLAM mailing list
> >> Open-GLAM(a)lists.wikimedia.org
> >> https://lists.wikimedia.org/mailman/listinfo/open-glam
> >>
> >
> >
> > --
> > _________________________________________________
> > *Melissa Levine*
> > Director, UM Copyright Office <http://lib.umich.edu/copyright>
> > University of Michigan Library
> > 734-615-3194
> >
> > - *ORCID: 0000-0003-1104-2911*
> >
> >
> >
> > _______________________________________________
> > Open-GLAM mailing list
> > Open-GLAM(a)lists.wikimedia.org
> > https://lists.wikimedia.org/mailman/listinfo/open-glam
> >
>