Sent from my iPhone
Begin forwarded message:
> From: Jerald Head <jlhead1952(a)gmail.com>
> Date: April 8, 2013, 12:58:31 PM CDT
> To: "Jerald Head, M.D." <jlhead1952(a)gmail.com>
> Subject: Docs Birthday
>
> I am attaching a video of Doc’s Birthday my partner Sergio put together from the tape taken at the party. There are a couple of repeat scenes from prior videos, notably the “Cookoo” song, but that performance deserves an encore and a loud “Bravo!” I wish I could say the jittery nature of the video was my intent to achieve the hand held effect of cinema verite’, or that I was trembling with excitement while taping, but it was just poor technique on my part. Sergio did the best he could with what he had.
>
> I must add, if I may, the girls of summer, 1975, Terry, Alice, Laura, and Carol, are still quite the lovelies.😍
>
> http://m.youtube.com/#/watch?feature=youtu.be&v=bRpQkqbmY4c&desktop_uri=%2F…
>
> Jerald
>
>
>
> Sent from my iPhone
For those of you not in Austin, the word has been spreading today that James Street, legendary quarterback of the '69 championship team, has passed away this morning of a heart attack at age 65. If you paid any attention to Longhorn football in the late '60s, or heard stories afterwards, you can imagine what this means to people around here. Lots of shocked and sad folks writing testimonials in the online guestbook at the statesman.com site.
Doc, any Street memories or stories to share?
I always wanted to shake his hand, and finally had my chance just last year. I took Emma to Darrell Royal's funeral and led her down onto the floor of the Erwin Center after the ceremony, to see who we could see. We stood next to Willie, saw Frank Broyles, the Arkansas coach from those days, and then spotted Street. I'd told Emma a lot about him, so I said, "You wanna meet him?" and of course I did too, since I had always treasured the '69 team photo signed by him that my dad had given me that Christmas. Fortunately she said "Okay!" So we sidled up to him and I introduced myself and Emma and he was the same charming, friendly, chatty guy with the funny grin I always imagined him to be from a worshipful distance in my boyhood.
A sad day here, he leaves behind a wife, five sons, and thousands of close friends.
cs
Thanks Clayton...so sad...too soon! I was at UT when he soared...he was awesome. I never met him, but loved watching him play. Your story with Emma is a great & touching memory.
Sent from my Samsung Epic™ 4G
Clayton Stromberger <cstromberger(a)austin.utexas.edu> wrote:
For those of you not in Austin, the word has been spreading today that James Street, legendary quarterback of the '69 championship team, has passed away this morning of a heart attack at age 65. If you paid any attention to Longhorn football in the late '60s, or heard stories afterwards, you can imagine what this means to people around here. Lots of shocked and sad folks writing testimonials in the online guestbook at the statesman.com site.
Doc, any Street memories or stories to share?
I always wanted to shake his hand, and finally had my chance just last year. I took Emma to Darrell Royal's funeral and led her down onto the floor of the Erwin Center after the ceremony, to see who we could see. We stood next to Willie, saw Frank Broyles, the Arkansas coach from those days, and then spotted Street. I'd told Emma a lot about him, so I said, "You wanna meet him?" and of course I did too, since I had always treasured the '69 team photo signed by him that my dad had given me that Christmas. Fortunately she said "Okay!" So we sidled up to him and I introduced myself and Emma and he was the same charming, friendly, chatty guy with the funny grin I always imagined him to be from a worshipful distance in my boyhood.
A sad day here, he leaves behind a wife, five sons, and thousands of close friends.
cs
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Thanks Clayton...so sad...too soon! I was at UT when he soared...he was awesome. I never met him, but loved watching him play. Your story with Emma is a great & touching memory.
Sent from my Samsung Epic™ 4G
Clayton Stromberger <cstromberger(a)austin.utexas.edu> wrote:
For those of you not in Austin, the word has been spreading today that James Street, legendary quarterback of the '69 championship team, has passed away this morning of a heart attack at age 65. If you paid any attention to Longhorn football in the late '60s, or heard stories afterwards, you can imagine what this means to people around here. Lots of shocked and sad folks writing testimonials in the online guestbook at the statesman.com site.
Doc, any Street memories or stories to share?
I always wanted to shake his hand, and finally had my chance just last year. I took Emma to Darrell Royal's funeral and led her down onto the floor of the Erwin Center after the ceremony, to see who we could see. We stood next to Willie, saw Frank Broyles, the Arkansas coach from those days, and then spotted Street. I'd told Emma a lot about him, so I said, "You wanna meet him?" and of course I did too, since I had always treasured the '69 team photo signed by him that my dad had given me that Christmas. Fortunately she said "Okay!" So we sidled up to him and I introduced myself and Emma and he was the same charming, friendly, chatty guy with the funny grin I always imagined him to be from a worshipful distance in my boyhood.
A sad day here, he leaves behind a wife, five sons, and thousands of close friends.
cs
_______________________________________________
Winedale-l mailing list
Winedale-l(a)lists.wikimedia.org
https://lists.wikimedia.org/mailman/listinfo/winedale-l
I am sure many of you have seen this notice, but for history fans this may be an event worth watching
http://www.nytimes.com/2013/09/15/arts/television/the-hollow-crown-on-pbs-r…
I have been watching the more lurid version on Starz, "The White Queen" which is quite delicious, but I still require a genealogy chart at hand to keep it all straight. It is all fun. Margaret of Anjou is particularly evil.
Jerald
Footsteps of Kings (Like Olivier and Gielgud)
“Uneasy lies the head that wears a crown,” Shakespeare wrote some 400 years ago, and although crowns are far less abundant now, uneasy heads are everywhere on the world stage. So the audience for the new series “The Hollow Crown” should understand exactly what Henry IV of England means when he speaks that famous line. That, at least, is the hope of the BBC and PBS, the co-producers of the four-part series, which was shown in Britain last year and is to be broadcast on “Great Performances” in the United States, beginning on Friday, Sept. 20.
Sam Mendes, the director who first pitched the series several years ago and serves as one of its executive producers, had the idea, he said, “to do over the BBC Shakespeares that had been done in the ’70s, but this time to do them as real films, on locations and with large numbers of extras, rather than as the weird hybrids they were then.” (Those earlier productions were shot primarily on sets, with occasional awkward forays outdoors.) The relatively action-packed history plays, he said, were “very well suited to film,” and doing them in that way for the small screen was a concept whose time had come. “We live in a world now where you could argue that long, series television is the state of the art of storytelling,” he said.
Given the tradition of British actors taking on the great Shakespearean roles, the stakes were high for the actors playing the broody 14th- and 15th-century monarchs in these ambitious productions of “Richard II,” “Henry IV, Part 1,” “Henry IV, Part 2” and “Henry V.” Speaking with the actors — Ben Whishaw as Richard II, Rory Kinnear as the young Henry IV, Jeremy Irons as the older Henry IV and Tom Hiddleston as Henry V — you feel the weight of their responsibility, and each has a strategy for dealing with it.
When Mr. Irons tackles any part, he said, “I like to feel I’m a test pilot, trying to see if this thing will fly.” He paused. “Well, of course with Shakespeare you know it flies, but I still try to forget that anyone else has ever played the role.” Mr. Whishaw, stepping into a role that has been interpreted by, among others, John Gielgud, Michael Redgrave, Alec Guinness, Paul Scofield, Ian McKellen, Derek Jacobi, Ralph Fiennes, Fiona Shaw, Kevin Spacey and Mr. Irons, relieves the pressure by reminding himself, philosophically, of T .S. Eliot’s idea that with Shakespeare we can never be right, but can only “from time to time change our way of being wrong.” Mr. Whishaw said, “You’re never going to crack a role like this completely, and because there’s no way you’re going to be definitive, I just bring to it as much as I can of myself, at this point in my life.”
Mr. Hiddleston has perhaps the most conspicuous royal shoes to fill, thanks to the memorable film performances of Henry V by Laurence Olivier (in 1944) and Kenneth Branagh (in 1989). “I knew that people would make comparisons,” he said. “But I knew, somehow, that I’d find my own way.” And Mr. Kinnear — though he plays a character, Henry Bolingbroke, who in seizing the crown from Richard brazenly violates the custom of the divine right of kings — chooses to see the tradition of Shakespearean theater in his country as an advantage, not a burden. “It has to do with a continuity that stretches back four centuries, and that’s something I always find quite moving when I’m performing in one of the plays,” he said.
Continuity is, of course, always a relative thing when it comes to making movies. Initially, Mr. Mendes said, “I was very insistent that we rehearse them like plays, for five or six weeks before we started shooting.” To that end, he hired directors with extensive theatrical experience: Rupert Goold for “Richard II,” Richard Eyre for the Henry IV plays and Thea Sharrock for “Henry V.” But Mr. Mendes went off to direct the Bond film “Skyfall” (in which Mr. Whishaw and Mr. Kinnear both appear), and in the hurly-burly of actual production, his rehearsal plan for “The Hollow Crown” didn’t quite work out.
According to Mr. Kinnear and Mr. Whishaw, there were two or three weeks of rehearsals for “Richard II,” but for the three remaining plays, things got a little hectic. The series had the hard deadline of having to be shown as part of Britain’s “Cultural Olympiad” last year. “We spent a day or so working through all my scenes, about eight weeks before,” Mr. Irons said.
And Mr. Hiddleston wound up playing his role, as he put it, “backwards,” beginning with the courtship scene at the end of “Henry V” and moving back through the Battle of Agincourt. “At the end of 14 weeks of shooting,” he said, “I did all the stuff in the tavern,” in which Prince Hal of “Henry IV, Part 1” carouses with the fat old knight John Falstaff (Simon Russell Beale). “So I started out as the king of England and France, continued on as just the king of England and finished up as the prince of Wales,” he said, laughing. “It’s as if I were shedding weight as I went along.”
The actors even managed to find some benefit in the rush and scramble of production. “What I love about film,” Mr. Whishaw said, is “that you get these magical, spontaneous things that in theater you’re always trying to recapture or make happen again.” One of the big tavern scenes in “Part 1” was, Mr. Hiddleston said, shot in a single take without ever having been rehearsed with the full company. “The people in the tavern really didn’t know what Simon and I were going to do, so they just responded completely spontaneously, surprised, laughing, cheering us on. Simon and I looked at each other afterwards and said, ‘We’d never get anything like that on the stage.’ ”
These plays, Mr. Irons said, are about much more than monarchy. “They’re called history plays, but they’re not history lessons,” he said. “They’re about people in a particular situation which is very difficult for them.”
Certainly, the works come alive when the directors and especially the actors shed at least some of the burdens of tradition. Richard II, perhaps the most eloquent of the sad kings in “The Hollow Crown,” “really only comes into his own, in terms of his language, his poetry, after he’s been deposed, when he’s on the decline,” Mr. Whishaw said. “It allows his voice to soar, and he improvises these incredible riffs around transience and loss, all sorts of things.”
This new series tries to uphold the tradition of Shakespeare by wearing it a little more easily than these monarchs wear their crowns, and the awareness of transience is what makes that possible. Actors, like kings, come and go, one after the other, in their roles. For the actors in “The Hollow Crown,” if not for the kings they play, it’s an orderly succession.
Hey everyone --
Brief but interesting interview here with the author of a new book on a turning point in Shakespeare's career. The writer's insights may not be earth-shatteringly new (no goats running from the mountains, in other words), but his notion of how Shakespeare's "relational" writing for his fellow actors created living worlds through the plays made me think of Winedale.
http://www.economist.com/blogs/prospero/2013/09/qa-bart-van-es
Cheers,
cs